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Scarlett mic pre — Get great sound from any microphone with Solo’s detailed ultra-low-noise mic pre.
Hi-Z instrument input — Plug straight in and guitars sound and feel great – perfect for using with amp sims.
Huge 120dB dynamic range — Scarlett Solo uses the same converters as Focusrite’s flagship RedNet interfaces, found in countless high-end studios worldwide.
Air Mode — Record with all the character of a big studio console. Add high-end presence and rich harmonic drive to vocals and instruments.Dynamic Gain Halos — Scarlett’s Dynamic Gain Halos make setting the perfect recording level quick and easy for any mic or instrument.
Sounds great with included headphones — Powerful, custom-designed headphone amp with independent level control, for loud, clear, and accurate playback and monitoring.
The songwriter’s studio Plug your guitar into Scarlett Solo's hi-Z instrument input, it feels just like an amp. Hook a mic up to Solo’s mic pre and it sounds great right away. Scarlett brings Focusrite’s professional sound quality to wherever you make your music.
Find your signature sound For standout lead vocal and instrument tracks, Scarlett’s re-engineered Air mode takes your sound’s unique character and brings it to the front of the mix, adding truly musical presence and rich harmonic drive, just like a classic console in a big money studio. Trust us, you'll never want to record without it.
Setting levels made easy Scarlett’s Dynamic Gain Halos make setting levels quicky and easy, helping you set the perfect level and get great recordings every time.
Capture every detail Hit the red button and you’re recording with 192kHz, 24-bit converters direct from Focusrite’s flagship RedNet interfaces – as found in countless high-end studios around the world. Squeeze every last drop of detail out of your recordings without sacrificing any sound quality.
All the software you need — Includes Ableton Live Lite and Avid Pro Tools Artist, plus the Hitmaker Expansion software bundle with an unbeatable range of record-making studio tools.
